Showing posts with label bruce springsteen. Show all posts
Showing posts with label bruce springsteen. Show all posts
Wednesday, 23 May 2012
Thailand 2012: From panic to paradise
SHUDDERING, sweating, and dry-heaving - all mixed in with bouts of sickness and diarrhoea. This was horrendous.
I also knew exactly what it was: the onset of another panic attack, and just three days before the start of the holiday of a lifetime to Thailand.
I was aware that it was a panic attack because, unfortunately, this was not an isolated incident. In fact, I had endured these episodes for some years now and foolishly done nothing about them.
These situations had indeed been mentioned in passing on this blog in the days when I was learning to drive.
In my review of my third failed test, entitled 'Under Pressure' no less, I wrote: "My anxiety was so bad that no rational explanation could calm me down and, due to the resultant insomnia, I expected that I may even have to cancel."
Meanwhile, another panic attack in London was the reason why a promised review of my work experience at the Camden New Journal back in 2009 was conspicuous by its absence.
For, on the first morning of that placement, I had a visceral reaction, similar to the one which I described in anticipation of the trip to Thailand.
Specifically, I was overwhelmed by the fact that, as a trained journalist following my successful NCTJ course at Darlington, I expected myself to work in a way that any other reporter would.
By rights, I should have been able to do this, of course.
However, the panic attack rendered me unable to do much around the office and this negative experience has been reinforced by my failure to do any placements elsewhere since. Perhaps, even though I am now seeking help, I am just not cut out for it.
Recently, I have found life more difficult, despite the support of excellent friends and family, as a series of relatively stressful events happened one after another.
For instance, in March, I was the best man at the wedding of my best mate. Now, making a speech is widely regarded as one of the most pressurised occasions of a person's life if they are not used to public speaking.
Rather than a touch of the nerves, though, I entered full-blown panic mode with stomach acid shooting up my oesophagus, making me nauseous and unable to eat the fine wedding feast on offer.
That, in the end, I still managed to stand up and deliver the speech was nothing short of remarkable, according to the doctor, and it remains for me a very proud moment.
Indeed, without declaring that I want a medal or anything, the fact is that I have always managed generally to muddle through with any task which I was feeling anxious about, undoubtedly showing some strength of character.
Sadly, my panic attack about Thailand - a holiday, for goodness sake! - was perhaps the worst I had ever experienced. And so, I finally decided it was time to seek professional assistance.
My excellent GP immediately prescribed some diazepam to take me down off the ceiling and two days of this powerful stuff was enough to start and get me on the straight and narrow.
By Thursday 3 May, I was ready to make a decision about Thailand - and thankfully so, given that my train to the south was due to set off at just after 1pm. This was really cutting it fine.
In the end, I decided to bite the bullet and ensure that I did not waste a lot of money and a most wonderful experience. Whether I liked it or not, I was going to Thailand.
First, though, I was off to Reading for a couple of days before a flight from Heathrow to Bangkok via Zurich.
Handily included in that time was a trip to the CAMRA Reading Beer Festival which impressed with its size and organisation.
Then, on Saturday 6 May, the real deal began. Following a nervy landing at the short stop-off in Zurich, courtesy of a skiddy arrival on a sodden runway, I was at last on board a plane to Bangkok.
An episode of the Simpsons and the music of the Beatles, Bob Dylan, Bruce Springsteen, and Beethoven passed the time on the 10-hour flight which did not seem anywhere near as long to me.
And so to Bangkok. Admittedly, at first, I found the metropolis of the Thai capital a little overwhelming with its constant bustle.
But, after being introduced to the atmospheric Khao San Road - a Glastonbury-esque experience without the rain - I began properly to relax into my holiday.
I did not have long in Bangkok at this point to see the sights - although I did fit in my first ever ride in a tuk-tuk - as, once our crowd was assembled from various flights, we were off to the islands via a flight to Suritthani and a ferry.
Koh Samui and Koh Phangan are both idyllic places without being off the beaten track for the casual tourist (cf. the backpacker) and hiring scooters helped us get around the islands more easily.
In Lamai on Samui, we visited the Grandmother and Grandfather Rocks - so named because of their, er, appearance - as well as a nearby waterfall. Then, at night, we kicked back by drinking buckets of various concoctions at the Ark Bar while being hustled by nine-year-old children playing Connect 4.
Refusing to play one of the kids, she retorted that I was a "ladyboy" before running off. It was certainly not an insult which I expected to hear but quite amusing all the same.
Meanwhile, on Phangan, we reached the beach near the Haad Rin peninsula where the legendary Full Moon parties take place.
There was not one scheduled for when we were there and, though the expected Half Moon party was cancelled for renovation, the Jungle Experience near Baan Tai was an adequate replacement.
The week on the islands - four days on Samui, three on Phangan - were highly relaxing and exactly what I had needed. By this stage, there were no second thoughts in having taken the plunge.
Back to Bangkok for the second week and there was plenty of 'work' to be done if we wanted to see the sights.
The heat and humidity were tough going at the height of the afternoon but I soon learned that Sprite and the 7-Eleven shops were my friends and would just about keep me in my comfort zone.
So, what did we end up seeing in Bangkok then?
Well, the Grand Palace complex does indeed seem to be the grandest area of the capital. It is split into several quarters and features 34 buildings, many of which are still in proper use today.
But, while the Palace is one of the most extraordinary sights in Thailand, the mish-mash of its layout left me slightly confused and overwhelmed meaning my favourite tourist traps in Bangkok lie elsewhere.
Wat Pho nearby, for instance, is a much smaller complex but hardly forgettable on account of the huge Reclining Buddha which is its centrepiece.
And Wat Arun - the Temple of the Dawn (pictured) - is an imposing landmark on the west bank of Chao Phraya river, featuring a central prang of 86 metres.
Steep stairs allow tourists to clamber up the prang to gain a fine panoramic view of the skyscrapers overlooking the river - but more on that sort of thing a little later.
For, the entirety of the second week was not just spent in Bangkok: there was also an excursion out to Kanchanburi which took in the Kao Poon Cave and allowed us a walk along the reconstructed Bridge over the River Kwai.
A trip to a safari park required us to engage our consciences as it was clear that many of the animals were not treated particularly well.
Nevertheless, the feeding of bananas to giraffes and zebras produced happier memories and some great photographs. The giraffes were particularly friendly, moving their heads right inside the safari bus to snaffle the goodies while earning a stroke on the neck.
The second day of the tour featured the Erawan Falls, named after the three-headed white elephant of Hindu mythology.
I succeeded in reaching the top of the seven-tiered falls, and swam in gorgeous rock pools filled with unnervingly nippy fish. Later that day, I rode on the back of an elephant and then got comprehensively soaked when it swished river water with its trunk back over its head!
The remainder of the holiday was spent in Bangkok again, though our group of six dwindled in number as we left on our respective flights.
Even still on the last day when there were just two of us left, we made attempts to get around the city and be productive.
The stomach-turning Siriraj Medical Museum had been well-placed in a slot at the end of the break with its gruesome displays having earned it the nickname of 'The Museum of Death'.
And so it was just as well that it could be balanced out by some spectacular sights in our very last activity as we visited a skybar at the top of the State Tower.
Standing at a height of 810 feet, the view from the 64th floor was an amazing end to a holiday which I somehow almost never made it on.
I now know that staying at home would have been a foolish decision in the extreme and hindsight has caused me to shake my head in disbelief at a panic attack over a holiday.
Still, I cannot deny that it actually happened - and has happened in the past - and so the problem now needs to be dealt with properly.
In the meantime, the memories of my Thai hiatus are all good, and live on and on: many thanks to family and friends who helped me let it be.
Wednesday, 1 July 2009
In Review: Glastonbury Festival 2009 - The Boss still rules
Festival organiser Michael Eavis declared Glastonbury 2009 to be the most successful festival he has hosted.
Eavis also claimed Bruce Springsteen's played "probably the best show of his life" in his Saturday night performance on the Pyramid Stage.
Yet, before The Boss could rule Worthy Farm, the festival endured a most surreal moment in not, for once, being the main music story of the week.
The news of the death of Michael Jackson was broken to me straight after East17 had finished playing in the Dance Village.
Immediately I considered it to be a typical, if slightly crude, Glastonbury rumour.
But, by the time I suffered my usual festival faux pas by losing my spectacles to Hattie Hatstar, Jackson's death had been confirmed.
***
Despite this, there was still an air of unreality as I stared at the newspaper and took in the opening set on the Pyramid Stage, Bjorn Again.
Thankfully, the up-tempo Abba tribute act were a timely boost as they made their way through all the classics.
The Rakes followed this up with a lively show on the Other Stage before I made a gem of a find in a group called Baskery.
As it happens, Baskery is a trio of good-looking Stockholm lasses.
But minus my glasses, of course, it was actually their music - acoustic, punk rock - which got me into the Acoustic tent.
On Friday night, I saw an excellent set from The Specials on the Pyramid Stage before heading back to the Acoustic tent for The Kinks' Ray Davies.
Davies was brilliant. He had the whole crowd singing along to his many classics.
I was right towards the front and, partly because I'm a soft lad but also because the cider had been flowing, broke down as he sang 'Days' and 'Waterloo Sunset'.
Davies was my Glastonbury highlight - for me, he even beat The Boss.
***
Saturday began with the political comedian Mark Thomas on the Speaker's Forum.
A large attentive crowd listened as he recalled entertaining accounts of being stopped and searched, having his DNA taken before later getting it destroyed.
Thomas was followed by a wonderful set from the natural entertainer Rolf Harris on Jazz World.
Harris, who enjoyed the biggest attendance of the festival on his last Glastonbury visit, sung his classics (finishing on 'Tie Me Kangaroo Down, Sport' to the tune of 'Land of Hope and Glory') and cracked a few decent jokes.
It was the perfect set up for an amusing interlude on Pyramid from Spinal Tap, which inevitably featured the Stonehenge dwarves.
After a short break, it was off to see the mercurial Peter Doherty on the Other Stage.
Perennially-troubled Doherty played well and looked much better than he did when I saw him last - at Benicassim Festival in 2006. But, disappointingly, his set was one of the shortest of the weekend.
This allowed me to catch The Gaslight Anthem on the John Peel Stage but I still missed out on their highlight - an early appearance by Springsteen who joined the band on stage for 'The 59 Sound'.
The Boss returned the favour when Gaslight lead Brian Fallon played alongside Springsteen for 'No Surrender'.
After the Gaslight Anthem, there was the rather unusual festival sight of Kasabian fans impatiently waiting for Crosby, Stills and Nash to finish their stuff on the Pyramid Stage.
Meanwhile, I caught a bit of Maximo Park having missed them opening up the festival on the Park Stage on Thursday.
But, just as I thought it might be before the festival, Saturday's music was all about The Boss.
Dressed in a dark shirt, blue jeans and welly boots, he arrived at five past 10 and played until 39 minutes past midnight.
The nine minutes beyond the curfew will cost Eavis a fine of £3000, imposed by Mendip District Council.
But Eavis has said he doesn't mind paying this time around, calling the last nine minutes "spectacular".
The Boss quickly struck up an affinity with a huge Glastonbury crowd and the front rows were treated to frequent visits as he dived on top of them, guitar in hand.
It was the show that got better and better and better. Notably, he held back 'Glory Days' and 'Thunder Road' until the encore before finishing on 'Dancing in the Dark'.
So, while Davies was my personal highlight, Springsteen was undoubtedly a Glastonbury 'I was there' moment.
***
Unsurprisingly, The Boss was still the talk of the campsite on Sunday morning.
Providing the entertainment on the Pyramid Stage were the Easy Star All Stars who played a dub/reggae version of The Beatles' Sgt. Pepper's Lonely Hearts Club Band LP.
The All Stars were followed by Status Quo who were happy to play their chord to stereotype, commenting on their performance in a wonderfully self-depreciating fashion.
I did not see all of the Quo's set, however, as I made my way over to Other Stage to see Art Brut for the second time this year.
Frontman Eddie Argos was as entertaining as ever in front of a modest crowd and further strengthened my belief that Art Brut are much better in an intimate venue.
A stroll over to the Acoustic tent to see some instrumentals from The Penguin Cafe Orchestra was well-timed as they struck up 'Music For A Found Harmonium' as soon I got there.
And I made it back to the Pyramid Stage for an enjoyable performance from Sir Tom Jones during which I moved through the crowd for Madness.
The Nutty Boys were as impressive as ever in the evening sunshine but as their set ended, my thoughts turned towards the festival's end.
Thankfully, there was one final act to savour as Blur made a triumphant return to Glastonbury for the first time since 1998.
They played magnificently, complementing the raucous 'Girls and Boys', 'Country House' and 'Song 2' with stand-out moments of raw emotion on 'Tender' and 'The Universal'.
***
It's hard to disagree with Michael Eavis and his belief this has been the best year yet - even if he tends to say that every year...
Glastonbury has been good to me, very good to me. I even got sunburn when the Friday rain gave way to glorious conditions on Saturday and, for the most, part, Sunday.
Ray Davies and Blur both gave unforgettable performances and Bruce Springsteen's 150 minutes will undoubtedly become the stuff of Glastonbury legend.
While the King of Pop may have sadly fallen to his demise, The Boss still rules.
Eavis also claimed Bruce Springsteen's played "probably the best show of his life" in his Saturday night performance on the Pyramid Stage.
Yet, before The Boss could rule Worthy Farm, the festival endured a most surreal moment in not, for once, being the main music story of the week.
The news of the death of Michael Jackson was broken to me straight after East17 had finished playing in the Dance Village.
Immediately I considered it to be a typical, if slightly crude, Glastonbury rumour.
But, by the time I suffered my usual festival faux pas by losing my spectacles to Hattie Hatstar, Jackson's death had been confirmed.
***
Despite this, there was still an air of unreality as I stared at the newspaper and took in the opening set on the Pyramid Stage, Bjorn Again.
Thankfully, the up-tempo Abba tribute act were a timely boost as they made their way through all the classics.
The Rakes followed this up with a lively show on the Other Stage before I made a gem of a find in a group called Baskery.
As it happens, Baskery is a trio of good-looking Stockholm lasses.
But minus my glasses, of course, it was actually their music - acoustic, punk rock - which got me into the Acoustic tent.
On Friday night, I saw an excellent set from The Specials on the Pyramid Stage before heading back to the Acoustic tent for The Kinks' Ray Davies.
Davies was brilliant. He had the whole crowd singing along to his many classics.
I was right towards the front and, partly because I'm a soft lad but also because the cider had been flowing, broke down as he sang 'Days' and 'Waterloo Sunset'.
Davies was my Glastonbury highlight - for me, he even beat The Boss.
***
Saturday began with the political comedian Mark Thomas on the Speaker's Forum.
A large attentive crowd listened as he recalled entertaining accounts of being stopped and searched, having his DNA taken before later getting it destroyed.
Thomas was followed by a wonderful set from the natural entertainer Rolf Harris on Jazz World.
Harris, who enjoyed the biggest attendance of the festival on his last Glastonbury visit, sung his classics (finishing on 'Tie Me Kangaroo Down, Sport' to the tune of 'Land of Hope and Glory') and cracked a few decent jokes.
It was the perfect set up for an amusing interlude on Pyramid from Spinal Tap, which inevitably featured the Stonehenge dwarves.
After a short break, it was off to see the mercurial Peter Doherty on the Other Stage.
Perennially-troubled Doherty played well and looked much better than he did when I saw him last - at Benicassim Festival in 2006. But, disappointingly, his set was one of the shortest of the weekend.
This allowed me to catch The Gaslight Anthem on the John Peel Stage but I still missed out on their highlight - an early appearance by Springsteen who joined the band on stage for 'The 59 Sound'.
The Boss returned the favour when Gaslight lead Brian Fallon played alongside Springsteen for 'No Surrender'.
After the Gaslight Anthem, there was the rather unusual festival sight of Kasabian fans impatiently waiting for Crosby, Stills and Nash to finish their stuff on the Pyramid Stage.
Meanwhile, I caught a bit of Maximo Park having missed them opening up the festival on the Park Stage on Thursday.
But, just as I thought it might be before the festival, Saturday's music was all about The Boss.
Dressed in a dark shirt, blue jeans and welly boots, he arrived at five past 10 and played until 39 minutes past midnight.
The nine minutes beyond the curfew will cost Eavis a fine of £3000, imposed by Mendip District Council.
But Eavis has said he doesn't mind paying this time around, calling the last nine minutes "spectacular".
The Boss quickly struck up an affinity with a huge Glastonbury crowd and the front rows were treated to frequent visits as he dived on top of them, guitar in hand.
It was the show that got better and better and better. Notably, he held back 'Glory Days' and 'Thunder Road' until the encore before finishing on 'Dancing in the Dark'.
So, while Davies was my personal highlight, Springsteen was undoubtedly a Glastonbury 'I was there' moment.
***
Unsurprisingly, The Boss was still the talk of the campsite on Sunday morning.
Providing the entertainment on the Pyramid Stage were the Easy Star All Stars who played a dub/reggae version of The Beatles' Sgt. Pepper's Lonely Hearts Club Band LP.
The All Stars were followed by Status Quo who were happy to play their chord to stereotype, commenting on their performance in a wonderfully self-depreciating fashion.
I did not see all of the Quo's set, however, as I made my way over to Other Stage to see Art Brut for the second time this year.
Frontman Eddie Argos was as entertaining as ever in front of a modest crowd and further strengthened my belief that Art Brut are much better in an intimate venue.
A stroll over to the Acoustic tent to see some instrumentals from The Penguin Cafe Orchestra was well-timed as they struck up 'Music For A Found Harmonium' as soon I got there.
And I made it back to the Pyramid Stage for an enjoyable performance from Sir Tom Jones during which I moved through the crowd for Madness.
The Nutty Boys were as impressive as ever in the evening sunshine but as their set ended, my thoughts turned towards the festival's end.
Thankfully, there was one final act to savour as Blur made a triumphant return to Glastonbury for the first time since 1998.
They played magnificently, complementing the raucous 'Girls and Boys', 'Country House' and 'Song 2' with stand-out moments of raw emotion on 'Tender' and 'The Universal'.
***
It's hard to disagree with Michael Eavis and his belief this has been the best year yet - even if he tends to say that every year...
Glastonbury has been good to me, very good to me. I even got sunburn when the Friday rain gave way to glorious conditions on Saturday and, for the most, part, Sunday.
Ray Davies and Blur both gave unforgettable performances and Bruce Springsteen's 150 minutes will undoubtedly become the stuff of Glastonbury legend.
While the King of Pop may have sadly fallen to his demise, The Boss still rules.
Labels:
Art Brut,
blur,
bruce springsteen,
Glastonbury,
madness,
Michael Eavis,
Michael Jackson,
ray davies,
reviews,
the specials
Monday, 22 June 2009
Glastonbury
Wellies at the ready - it's that time again when thousands of revellers descend on Somerset for Glastonbury Festival.
This year's festival will be my second visit to Worthy Farm after my maiden experience at last year's event.
I became truly captured in the magic of Glastonbury as the sun beamed out over the Pyramid Stage when Crowded House played 'Weather With You' on Saturday after two days of rain.
And I placed my deposit to guarantee a place for 2009 as soon as I could.
The outlook for this year's event is set to be unsettled with warm weather interspersed by summer showers. Not that it's likely to bother anyone.
As usual, the gates to the campsite open on Wednesday but I will be arriving on Thursday due to logistical reasons.
But, hopefully, I will be in time for the first main act, Newcastle-based band Maximo Park playing at the new William Green area.
The opening night of wandering aimlessly around the site is sure to follow with likely stop-offs at the Brothers Bar and the Cider Bus before late night indulgence in Trash City and Shangrai-La.
A visit to the Stone Circle is a must and, this year, I'm hoping my body-clock holds out to allow me to see dawn rise over the campsite from the hill.
In terms of music, the festival remains generally as varied as ever, though without the JayZ-sized risk from 2008 in the headliners.
Instead, Michael Eavis has lined up Neil Young, Bruce Springsteen and Blur to finish on the Pyramid Stage over the weekend.
In a Friday night clash, Young will compete against The Kinks' Ray Davies who I am more likely to see for the expected sing-a-long.
But Saturday will be all about The Boss and his two-hour set as a headliner with Kasabian as the warm-up.
On Sunday, there is another unseemly clash with Blur on at the same time as The Prodigy.
The return of Damon Albarn and Graham Coxon et al is likely to shade it for me, though, especially having seen Keith Flint's group on previous occasions.
As for the rest of the acts, I am very excited to see ska legends The Specials on Friday with Madness on Sunday thrown in for good measure.
And another personal favourite, Art Brut, will make an appearance on Saturday at the Other Stage
Novelty acts Bjorn Again and Spinal Tap earn their place alongside old-timers Rolf Harris and Sir Tom Jones.
And I expect to make room for the traditional speech from Tony Benn, a real conviction politician who completely shows the current spineless bunch for what they are.
But the wondrous element of Glastonbury is its unpredictability.
These plans are just that - plans. I expect many of them will go to waste, which makes the whole muddy mess even more fun.
Useful links:
*The official Glastonbury Festival website
*Halvin's Clashfinder - an impressively accurate compilation of the set times for every act on every stage
*Efestivals messageboard - Glastonbury rumour and counter-rumour
*Glastonbury Map
*BBC Weather (for Glastonbury)
This year's festival will be my second visit to Worthy Farm after my maiden experience at last year's event.
I became truly captured in the magic of Glastonbury as the sun beamed out over the Pyramid Stage when Crowded House played 'Weather With You' on Saturday after two days of rain.
And I placed my deposit to guarantee a place for 2009 as soon as I could.
The outlook for this year's event is set to be unsettled with warm weather interspersed by summer showers. Not that it's likely to bother anyone.
As usual, the gates to the campsite open on Wednesday but I will be arriving on Thursday due to logistical reasons.
But, hopefully, I will be in time for the first main act, Newcastle-based band Maximo Park playing at the new William Green area.
The opening night of wandering aimlessly around the site is sure to follow with likely stop-offs at the Brothers Bar and the Cider Bus before late night indulgence in Trash City and Shangrai-La.
A visit to the Stone Circle is a must and, this year, I'm hoping my body-clock holds out to allow me to see dawn rise over the campsite from the hill.
In terms of music, the festival remains generally as varied as ever, though without the JayZ-sized risk from 2008 in the headliners.
Instead, Michael Eavis has lined up Neil Young, Bruce Springsteen and Blur to finish on the Pyramid Stage over the weekend.
In a Friday night clash, Young will compete against The Kinks' Ray Davies who I am more likely to see for the expected sing-a-long.
But Saturday will be all about The Boss and his two-hour set as a headliner with Kasabian as the warm-up.
On Sunday, there is another unseemly clash with Blur on at the same time as The Prodigy.
The return of Damon Albarn and Graham Coxon et al is likely to shade it for me, though, especially having seen Keith Flint's group on previous occasions.
As for the rest of the acts, I am very excited to see ska legends The Specials on Friday with Madness on Sunday thrown in for good measure.
And another personal favourite, Art Brut, will make an appearance on Saturday at the Other Stage
Novelty acts Bjorn Again and Spinal Tap earn their place alongside old-timers Rolf Harris and Sir Tom Jones.
And I expect to make room for the traditional speech from Tony Benn, a real conviction politician who completely shows the current spineless bunch for what they are.
But the wondrous element of Glastonbury is its unpredictability.
These plans are just that - plans. I expect many of them will go to waste, which makes the whole muddy mess even more fun.
Useful links:
*The official Glastonbury Festival website
*Halvin's Clashfinder - an impressively accurate compilation of the set times for every act on every stage
*Efestivals messageboard - Glastonbury rumour and counter-rumour
*Glastonbury Map
*BBC Weather (for Glastonbury)
Labels:
blur,
bruce springsteen,
Glastonbury,
holiday,
madness,
music,
ray davies,
the specials,
tony benn
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